MAT MARTIN | Gustav Lost Pre-Order from Chris Cundy
The Gustav Lost album from my dear friend and wonderful musician Chris Cundy is finally being released in a limited run of physical copies via FMR Recordings and is already available for pre-order at Chris’ Bandcamp page. As well as being a superb composer and improviser, Chris has had the pleasure of recording and performing with (among others) the likes of Timber Timbre, Guillemots, Gannets, Devon Sproule, Little Annie and Cold Specks.
As always, a real pleasure to play with not only Chris but a host of great players and improvisers. We had a lot of fun making this record last year and I’m very happy to see it come out.
Chris Cundy: Bass Clarinet
Mat Martin: Guitar
Fyfe Dangerfield: Piano
Hannah Marshall: Cello
Dominic Lash: Double Bass
Mark Sanders: Drums
Stuart Wilding: Percussion
The album saw a lovely early review from Downtown Music Gallery, NYC recently, too:
Featuring Chris Cundy on bass clarinet & compositions, Fyfe Dangerfield on piano, Mat Martin on guitar, Hannah Marshall on cello, Dominic Lash on double bass and Mark Sanders on drums. This is a most impressive debut disc by UK bass clarinettist Chris Cundy, of whom I hadn’t heard previously, as well as not knowing of his frontline bandmates, Mr. Dangerfield and Mr. Martin. I’ve seen cellist Hannah Marshall’s name on several disc over the past few years with Veryan Weston, Alexander Hawkins and a trio called Shoreditch. Bassist Dominic Lash also has been getting around and working with the Convergence Quartet, Alex Ward and for lower-case projects on the Wanderweiser and Another Timbre labels. I can’t say enough good things about drummer Mark Sanders who remains one of the most in-demand players on the UK scene (for Paul Dunmall, Evan Parker & Jah Wobble).
I played this disc three times in a row last Sunday (10/30/16) while working alone and marveling at how great it is. The first thing that stands about this sextet is the combination of instruments: bass clarinet, cello, piano and guitar, warm, wooden-toned and most enchanting. Often the bass clarinet and cello either shadow or complement each other, playing thoughtful, rich harmonies together, gracefully at times, creating lush autumnal colors. There is one piece dedicated to the late British saxist Lol Coxhill, who always had an odd sense of humor. The piece is called, “Hello Pigeon” and it captures Coxhill’s quaint spirit just right. This song had me whistling along and even snapping my fingers, smiling throughout. I like that Mr. Cundy combines a blend of playfulness with more unpredictable arrangements. Thus making this disc most charming and uplifting. A pleasant departure from the more complex or darker side of music we usually review.
– Bruce Lee Gallanter, DMG